Komitas (born Soghomon Soghomonian on September 26, 1869 – October 22, 1935) was a seminal Armenian priest, musicologist, composer, arranger, singer, and choirmaster. He is considered the founder of the Armenian national school of music. Through his extensive collection and study of Armenian folk songs, he played a pivotal role in preserving and revitalizing Armenian musical heritage during a period of cultural renaissance.


Early Life and Education:

Soghomon Soghomonian was born in Kütahya, Ottoman Empire (present-day Turkey), to a family with a rich musical background. Orphaned at a young age—his mother died when he was less than a year old, and his father passed away when he was eleven—Soghomon was raised by his grandmother. Recognizing his musical talents, local community members recommended him to the Etchmiadzin Seminary in Armenia.

At the age of 12, he was brought to the Gevorkian Theological Seminary in Etchmiadzin, the spiritual center of the Armenian Apostolic Church. There, he was given the name Komitas in honor of a 7th-century Armenian catholicos who was also a hymn writer. Despite not knowing Armenian upon his arrival—having grown up speaking Turkish—Komitas quickly mastered the language and immersed himself in religious and musical studies.

Musical Formation:

Komitas’s exceptional vocal abilities earned him a position as a choir soloist. He studied under Makar Yekmalyan, who had previously harmonized the Armenian Divine Liturgy. Influenced by Yekmalyan’s work, Komitas became deeply interested in Armenian sacred and folk music. He graduated in 1893, was ordained as a vardapet (celibate priest), and soon became a lecturer at the seminary, teaching music and other subjects.

Field Research and Ethnomusicology:

Driven by a passion to uncover the roots of Armenian music, Komitas began traveling extensively across Armenia and other regions with Armenian populations. He collected over 3,000 folk songs, notating them meticulously. His work was groundbreaking:

  • Preservation of Music: At a time when many folk traditions were orally transmitted and at risk of disappearing, Komitas’s efforts preserved a vast repertoire for future generations.
  • Analytical Approach: He applied scholarly methods to analyze the structure, modes, and rhythms of Armenian music, laying the foundation for Armenian ethnomusicology.
  • Promotion of National Identity: By bringing folk music into concert halls and educational curricula, he fostered a sense of national pride and cultural identity among Armenians.

International Studies and Recognition:

In 1896, Komitas sought to further his musical education abroad. He enrolled at the University of Berlin, studying musicology under Richard Schmidt and attending lectures by prominent figures like Heinrich Bellermann. His performances and lectures in Europe introduced Armenian music to international audiences. He was particularly praised by composers such as Claude Debussy and Vincent d’Indy for his authentic representation of Eastern music.

Return and Musical Activities:

Upon returning to the Caucasus, Komitas settled in Tbilisi and later Constantinople (now Istanbul). He founded and conducted choirs, organized concerts, and continued his research. His arrangements transformed folk melodies into choral works, art songs, and instrumental pieces, all while maintaining their original essence.

Notable contributions include:

  • “Badarak” (Divine Liturgy): Komitas composed his own version of the Armenian Divine Liturgy for choir, which remains a staple in Armenian churches.
  • Choral Works: He formed the Gusan choir, which performed both sacred and secular music, gaining widespread acclaim.

Armenian Genocide and Personal Tragedy:

The onset of the Armenian Genocide in 1915 marked a devastating turn in Komitas’s life. On April 24, 1915, he was among the hundreds of Armenian intellectuals arrested by Ottoman authorities. Although he was eventually released due to international pressure—partially because of his connections with influential foreigners—the trauma of the events deeply affected him.

Witnessing the atrocities and losing many of his friends and colleagues led to a severe psychological breakdown. In 1916, Komitas was admitted to a psychiatric hospital in Constantinople. His condition did not improve, and in 1919, he was transferred to hospitals in Paris, where he remained until his death.

Death and Legacy:

Komitas died on October 22, 1935, in a psychiatric clinic in Villejuif, near Paris. In 1936, his remains were transferred to Yerevan, Armenia, and buried at the Pantheon of Komitas, a cemetery dedicated to Armenian luminaries.

His legacy is monumental:

  • Father of Armenian Music: Komitas is revered for creating a national musical identity, bridging the gap between folk traditions and classical music.
  • Educational Impact: His methods and teachings continue to influence music education in Armenia and beyond.
  • Cultural Symbol: Komitas symbolizes the endurance of Armenian culture in the face of adversity. His life and work are commemorated in literature, art, and music.

Notable Works

  • Folk Song Collections: Over 3,000 songs collected and arranged, though many were lost during the genocide.
  • “Badarak”: A complete setting of the Armenian Divine Liturgy for male choir.
  • Choral Arrangements: Pieces like “Antuni” (“Homeless”) and “Kele Kele” are celebrated for their emotional depth and melodic beauty.
  • Piano Pieces: Including dances and character pieces inspired by folk music.

Influence on Future Generations:

Komitas’s approach to musicology and composition inspired countless Armenian composers, such as Aram Khachaturian and Avet Terterian. His emphasis on authenticity and cultural roots became a guiding principle for artists seeking to express national identity through music.

Memorials and Honors:

  • Komitas Museum-Institute: Established in Yerevan to preserve his manuscripts, personal items, and to promote research.
  • Statues and Monuments: Erected in Armenia and around the world, including a prominent statue in Paris.
  • Cultural Events: Annual concerts, festivals, and competitions are held in his honor, celebrating his contributions to music and culture.

Komitas Vardapet stands as a towering figure in Armenian history—a guardian of cultural heritage whose life was both a testament to artistic brilliance and a reflection of his nation’s trials. His dedication to collecting and preserving Armenian folk music not only safeguarded a rich musical tradition but also provided a foundation upon which future generations could build. Despite personal suffering and the tragic circumstances of his later years, Komitas’s music continues to resonate, embodying the spirit and resilience of the Armenian people.